Honey Girls Jam Their Hearts Out
A trio of girls form a band and enter a singing competition together after learning they work best as a team.

Hannes Schmitz works as a garbage collector in Hamburg. The ex-soccer player now coaches the youth team of a suburban club. His sayings are just as feared as his unconventional ideas in labor disputes. Hannes lives on a houseboat that he restored himself and has a well-balanced relationship with his likeable long-term fiancé Isolde. His pride and joy is his pretty and clever daughter Annika, whom he raised alone. He would do anything for her. He even slips into an uncomfortable suit and tie and has himself chauffeured to Hamburg-Blankenese. In the small family circle, Hannes is supposed to get to know his future son-in-law, the young chef Alexander. Annika is amazed when she is received with her father in a grand villa.
A trio of girls form a band and enter a singing competition together after learning they work best as a team.
How powerful can a story be when it is stripped to the bare essentials of just a room, a handful of people and raw human voice?
When you don’t factor in the plethora of inferior sequels that have been produced, Luca is one of Pixar’s simplest and most unassuming films in years — and there is absolutely nothing wrong with that. The film thrives on being a visual feast with a warm message for all ages, so much so that its unoriginal storyline doesn’t feel that big of a problem.
In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.
An enchanted school for young heroes and villains brings the battle between good and evil in this fantasy movie.
The Brazilian filmmaker Alexandre Alonso’s Hunter is a film with a lot of ideas, but with very little holding those ideas together.