Incluvie Film Fest 3rd Place Winner: ‘Warmth’ Review
This film is a splendid mix of mediums, but its strength lies in its simplicity and beautiful message of closeness.

Gretl has been living in Vienna ever since her father, Klaghofer, a small general store owner, tried to marry her off against her will to the wealthy Gruber farmer. Her disgruntled father never opened a single one of her letters. A postcard tells him that Gretl has married—and, he mistakenly assumes, to a rich man. Klaghofer sets out to celebrate the reconciliation. But as soon as he leaves his provincial Austrian hometown and arrives in Vienna, Klaghofer causes utter chaos. In the process, he repairs a troubled marriage and is delighted at the happy ending for everyone involved.
This film is a splendid mix of mediums, but its strength lies in its simplicity and beautiful message of closeness.
Essentially 'Get Out' but for white women, 'Don't Worry Darling' has strong material with its twist reveal, but the writing and directing falter trying to execute it.
As many of us know, Marvel Studios has taken an interest in women-led superhero films, but some of us are oblivious to the women behind the camera and pen.
Overall, 18 Presents feels more like a soap opera than a drama, and I feel bad for saying that since the concept is based off a tragic story (even though it’s loosely). I’m sure other people will find this film emotional for them, but as for me, it’s bland and forgettable.
Netflix’s new mystery thriller, The Marked Woman (released originally as La Desconocida), is confusing. More critically, though, it commits the worst mistake a movie can make: it’s boring. From Spanish director Gabe Ibáñez, the film squanders its premise at every turn, fills the story with unlikeable characters, and lacks emotional payoff.
If Top Gun needed to say it, Top Gun: Maverick makes you feel the need... the need for speed.