Claire and Maurice have to take the whole family to Claire's father's funeral. This tightly knit family is not only composed of Claire's vegetarian son, Alex, who's secretly fond of Maurice's daughter, Lucie, the teenage rebel, but also Claire's brother, a poet living under his sister's roof; without forgetting young Prune, Claire and Maurice's daughter, who will develop a passion for the country's emblematic cows. They must all strive to get along during the road trip to Willouby.
The re-living of this historic trial through this film is relevant to current politics and disturbingly enjoyable to watch due to the excellent performances from the ensemble cast. If you like a juicy courtroom drama, this film will definitely scratch that itch in a really chilling manner.
The power to function. As people, we are richly blessed to have the wide ranging scope of what we can accomplish…physically and mentally…that aid in everything we desire to strive for and, ideally, accomplish. However, what if someone was experiencing daily life with these elements….only in a more muted manner?
Considering the runtime, I expected each scene to hit harder as opposed to a series of montages and vignettes.
The Gates, John Burr’s new thriller film, is a disturbingly realistic portrayal of three Black twenty-somethings - Derek (Mason Gooding), Kevin (Algee Smith), and Tyon (Keith Powers), as they accidentally take a wrong turn into a gated community that’s more like a modern-day sundown town. The three friends witness a variety of crimes in their new surroundings, including an attempted homicide and an attempted rape. As they attempt to alert the authorities and do the right thing, they are thwarted at every turn by the worst horror stories of American conservatism - racist white suburbanites, reckless gun violence, corrupt police, religious mania, and a megalomaniacal pastor.
The sequel to the 2021 remake of the same name continues from where we last left off in this spooky adventure.
The history of Hollywood is as ugly as it is beautiful. Most notably absent from Hollywood history are Black-produced films. “They’ve Gotta Have Us” explores the rise of Black cinema.
