How Women Spectatorship in ‘Run Sweetheart Run’ Makes it the Most Relatable Horror Film for Women
‘Run Sweetheart Run’ has everything women fear the most, from psycho boyfriends to tampons.

A gang of robbers steals thousands of euros in a provincial bar without imagining that the owner of the business is Cagliostro (Tony Sperandeo), a shady individual linked to the criminal underworld. He tracks down the gang of robbers, offering them the opportunity to collaborate with him, by sneaking into the mansion of the elderly Chinese businessman Hung (Hal Yamanouchi), where they will have to steal a green jade pendant for him. In exchange for the success they will be able to keep all the money stolen from the bar, but they will discover that the medallion is around the neck of Hung's daughter, Sofia (Martina Angelucci), in a coma and kept alive through a mysterious ritual. And it is only the beginning of a long night of blood and violence.
‘Run Sweetheart Run’ has everything women fear the most, from psycho boyfriends to tampons.
A documentary film about a disabled female athlete who builds courage within herself and seeks faith.
'Legally Blonde' remains a standard of feminist filmmaking over two decades after its release, although its poor treatment of racial and sexual minorities make it a product of its time.
The horror franchise that had moviegoers watching behind their fingers but on the edge of their seats. The Conjuring quartet released its final installment this year, and it did not disappoint.
Adrian Chiarella’s Leviticus is a beautiful, poignant, enraging, gut-wrenching, and heartbreaking film about the trauma and harm conversion therapy inflicts on young queer people. Even though its classification as horror holds, the emotional bond between the two main characters, Naim and Ryan, elevates the story into a realistic romantic drama on par with Eternal Sunshine of the Spotless Mind.
At first glance, one wouldn't think John Carpenter's cult classic would be a thematic double-billing - or that Free Guy would be worthy of being mentioned in the same sentence as They Live - but the two films of vastly different genres have more similarities upon further examination.