"A man has got to see his face." Horror Noire: A History of Black Horror
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.

Set in 1994 Baku, the film modernizes Üzeyir Hacıbəyov’s musical comedy "O olmasın, bu olsun" by recasting Rustam Bey as an opposition figure who hopes to reclaim his lost office by courting wealthy businessman Ibka’s family. As in the original, a series of comic deceptions and mismatched identities ensue, though all the principal characters have been updated to fit the post-Soviet Azerbaijani context.
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
The sparks of a dangerous conspiracy ignite a mystery in this sequel based on the mysteries of Sherlock Holmes.
The film is a simple love story reminiscent of stories like The Notebook released in 2004. Sylvie and Robert are rarely actually together in the film, however; time and circumstance keep them away from each other, and the audience waits with bated breath to see them find one another over and over.
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.
A strong representation of African Americans in this film features evil spirits and horror-themed elements.
Not every film can make a shopping mall feel both magical and menacing, but Forbidden Fruits challenges that.