Roald Dahl's "Matilda the Musical"
Standing up for what's right, she's met with miraculous results. She takes charge of her own destiny.

The piece is a portrait of a narcissist. His boss and colleagues admire him and his ex-wife, mistress and girlfriend tell their view of him. The film consists of monologues performed in the form of tableau vivants that refer to art historical compositions. A possible crime story is built up by the testimonies of the people around the man.
Standing up for what's right, she's met with miraculous results. She takes charge of her own destiny.
With such a raw look at the 15th century, it seems that Disney was really trying to step outside of its element with this motion picture.
Mark Anthony Green was unable to connect all of the pieces in his debut feature film, leaving Opus as a middling entry in an already oversaturated genre.
A strong representation of African Americans in this film features evil spirits and horror-themed elements.
Eventually, “Hobbs and Shaw” introduces us to a Samoan community. Clearly, Johnson’s Samoan roots are on display. Quite frankly, I found this section of the film very intriguing. The “Fast and Furious” franchise has a solid track record in the diversity department
'Reservation Dogs' is stacked with an array of Native American performers and crew telling their own story.