The end of the 1920s. The capitalist world is in crisis. The fascists unleash war against the Soviet Union. The enemy attack interrupts the peaceful labor of Soviet people. Hundreds of production workers join the Red Army. At the front go Red Army units, columns of tanks, units of the people's militia. Enemy airplanes appear over the Soviet city, black bomb bursts are rising. The streets are moving mournful funeral processions of the first victims of the war. At the end of the movie, a worker appears on the screen, appealing to the audience to be ready for the war, which has not yet come, but will come “maybe tomorrow"
Dmitriy Dalskiy, Lyudmila Snezhinskaya
Director
Peter Golm
Johann Shultz
Albert Venohr
Harry Smith
Sofiia Smyrnova
German worker's wife
Maria Sidorova
Natalya
Stepan Shkurat
Kolkhoz worker
Vladimir Voyshvillo
Party official (uncredited)
Semyon Grabin
Factory worker (uncredited)
Borys Karlash-Verbytskyi
(uncredited)
A. Kerner
Factory owner (uncredited)
Vasyl Krasenko
Egoist (uncredited)
Arseni Kuts
Factory worker (uncredited)
In the film adaptation, director Jon M. Chu turns each musical number into a massive show stopper, with grand set pieces and a wealth of diverse dancers. Yet, in this attempt to show reverence for the people of the Washington Heights barrio, Chu, or maybe more specifically those in charge of casting, left out a crucial part of the community, Afro-Latinos.
The July episode of Incluvie Movie Highlights provides 4 exciting films that have polarizing reviews! Special guest and Incluvie movie critic Daleyna joins in to discuss Mr Malcolm's List, a regency-era film set in England, starring leads of Indian and African heritage (Freida Pinto and Sope Dirisu), which is a first! Don't Make Me Go, starring an Asian and Blasian lead (John Cho and Mia Isaac), is a sincere film with a controversial ending! Don't worry, no spoilers. 1Up, about a team of female gamers led by Paris Berelc, who's half Asian, receives acclaim on Incluvie, but much hate everywhere else on the internet. And the feature film... is Nope ! One cohost thinks the film was imaginative, while the other cohost insists it was boring (but with good social commentary)! Who thought what? Tune in with your hosts: Cathy Yee and Hazel Bolivar!
‘Concerto’ is esoteric at best, meant to satisfy the non-melanted’s sense of nostalgia. It is revisionist at worst, cherry-picking images that defy the true tapestry of the human condition.
I first saw Dear Evan Hansen on the Broadway stage. Apparently, I was so blown away by the magic of theater that I didn’t pick up on the questionable dynamics. The story's clumsy handling in the movie brought those issues to light.
The Rocky Horror Picture Show not only supported Tim curry queer individuals who were closeted or harassed. It made people question their identity, orientation, and lifestyles that they never had before.
A Girl Walks Home Alone At Night, though its feminism may be unintentional, cannot exist without its focus on women reclaiming power. The movie is feminist by definition, even if Amirpour didn’t write it with that in mind. A Girl Walks Home Alone At Night is mesmerizing, poetic, and stunning, both for its portrayal of feminist ideas and its powerful story that is both horrific and subtly romantic at once.