'Don't Worry Darling' Review: 'Get Out' But For White Women
Essentially 'Get Out' but for white women, 'Don't Worry Darling' has strong material with its twist reveal, but the writing and directing falter trying to execute it.

"Steph Asuncion and Tonio Bugayong were once in love. Back then, she was a young girl who wanted a simple life and he was older, more ambitious than she was. Tonio was a small town guy who wants to board a ship to provide for his family’s furniture business. Sarah was a Manila girl who spends the summer in the province for community service. What might have been a sweet relationship ended sourly when Tonio left without saying goodbye. Steph was heartbroken and it taught her to dream bigger to be worthy of love. Will their paths cross again? Will they overcome the pains of the past to give love a second chance? This is a story between two people who will be reminded about the importance of being true to one’s self in order for true love to happen."
Essentially 'Get Out' but for white women, 'Don't Worry Darling' has strong material with its twist reveal, but the writing and directing falter trying to execute it.
When the retelling of the Cinderella fairy tale and a holiday spirit come together, viewers learn about class issues as well as perseverance despite setbacks.
This is not a story of oppression but a story of liberation.
Considering the runtime, I expected each scene to hit harder as opposed to a series of montages and vignettes.
Few movies deal with aging (particularly aging women) with as much compassion as Relic does. Yet it’s not sickly sweet and not a soapbox rant against ageism. Relic simply is, allowing the horror to seep in quietly and carefully.