Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
Maximum Shame poster

Maximum Shame 

The end of the world is imminent. A man goes into a parallel dimension, a limbo between reality and fantasy where the normal rules of time and space have ceased to apply. His wife goes to rescue him. Both will be trapped in a strange and cruel world where a ruthless Queen organizes reality as a mad game of chess, a post-apocalyptic dystopia of domination and subjugation where characters can’t eat, speak or move about freely and are periodically viciously attacked.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


The end of the world is imminent. A man goes into a parallel dimension, a limbo between reality and fantasy where the normal rules of time and space have ceased to apply. His wife goes to rescue him. Both will be trapped in a strange and cruel world where a ruthless Queen organizes reality as a mad game of chess, a post-apocalyptic dystopia of domination and subjugation where characters can’t eat, speak or move about freely and are periodically viciously attacked.

Rating:
Genre:Science Fiction, Fantasy, Horror, Music
Directed By:Carlos Atanes
Written By:Carlos Atanes
In Theaters:
Box Office:

Runtime:80 minutes
Studio:Fort Knox Audiovisual

Articles You May Like


"Him" (2025) Film Review-The realities of making the grade in professional sports gets a cultism-driven, horror film makeover

"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.

Kirk Fernwood