Sweet Girl's Mind-Boggling Twist Makes the Movie... Feminist
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.

When Nick and Jan move into their new apartment in San Francisco, the batty landlady upstairs tells them about a girl who used to live there in the 20's: a brash young party girl named Maxie, who died in a car crash the morning before her big audition for a Hollywood studio. The trouble is, Maxie, or rather her ghost, hasn't left the house. Worse, she can take over Jan's body. And the only way she's going to leave is if she gets that audition.
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.
What makes the lighting in Casablanca even more impressive is how it reflects the emotional states of the characters without needing explicit dialogue.
While the film didn’t hit me as emotionally as I wanted it to, I still enjoyed it. I simply wish there was a little more, particularly with the world building.
The trainwreck is hot but tame.
Animation as a medium of storytelling can be thought to be open to all ages and as I hope my reading will reveal, 'Nimona' could be interpreted as a transgender story.
This thrilling film about feminine rage and male hostility is an incredible depiction of the fragility of the male ego.