Nobody 2 Review – Hutch on Vacation, Chaos Included
Hutch just wanted a family vacation, but chaos follows him everywhere. Nobody 2 is violent, stylish, and over-the-top in the best way possible.

In a house suspended in time, three women—Lúcia, Madalena, and Dolores—inhabit different layers of the same memory. Driven by curiosity, resistance, and silence, they orbit a love that never came to be, yet continues to unfold within them. Like nested dolls, they reveal and conceal themselves in an intimate cycle where remembering is inevitable and forgetting, an act of survival.
Hutch just wanted a family vacation, but chaos follows him everywhere. Nobody 2 is violent, stylish, and over-the-top in the best way possible.
I can say without question, that this is the first movie I’ve ever seen where art imitates life so much that I could 100% identify with it on a personal level. The predominately Black cast of characters are people with hopes, dreams, fears, and ambitions.
Sing 2 the beat in this jukebox sequel featuring anthropomorphic animals with musical talent.
A wondrously imaginative, diverse, and spirited allegory of childhood and the arduousness of adulthood.
Netflix’s Shadow and Bone has a complicated relationship with race. It has a diverse cast, but not without its problems. Based on Leigh Bardugo’s two book series, the show features characters from the Shadow and Bone trilogy, which is very straight and white, and the Six of Crows duology, which is much more diverse. When bringing together a cast and writing about these characters, the team behind the show expanded upon some of the representation missing from the first trilogy, then seemed to take away representation from the duology. Shadow and Bone seems to play a bit of a push and pull game when it comes to portraying diversity onscreen.
In a post-Gamergate media landscape, it's ambitious to have a film confront the harsh reactions to women in gaming from a comedic lens.