'A Babysitter's Guide to Monster Hunting'
This horror movie combines elements of horror and babysitting with Black representation.

Anna is 16, and lives with her young mother, Rebecca. It is the end of another summer defined by her mom’s flings and conquests, but during which Anna begins to discover her own sensuality. As Anna learns she is pregnant, her mother sees herself in her daughter, at the same age, facing the same choices. And if Anna’s decision implies a rupture in her relationship with Rebecca, she will find support where she least expects it.
This horror movie combines elements of horror and babysitting with Black representation.
Films staring black transgender actresses/actors are few and far between, it’s refreshing to see a demographic represented in film that hardly gets any attention. This is especially important as the Black trans community has been shown in studies to face the highest level of discrimination amongst general trans and non-binary groups. That is why it’s so crucial that we amplify their voices through any way we can, storytelling being a great medium to do so.
The film blends reality and the supernatural world together, leaving the viewer unsure of what’s real and what’s merely a figment of Michael’s agitated imagination.
'Don't Make Me Go' is what you would expect, Wally and her father, Max, clash tremendously and don't understand each other. Although, it's very heartwarming.
This Halloween movie is based on the toy line of the same name.
“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch