‘The Devil All The Time’ is Gritty and Bleak
Gritty and bleak are the best words to describe this film. There’s nothing happy about it.

This melodrama about love in the third age focuses on the 65-year-old Mathilde living alone after the death of her husband. When she gets to know the attractive Carlo in the opera, she sleeps with him at the same evening. Mathilde tries to call him up some days later, but learns he gave her a wrong number. Despite this disappointing experience, she gets to know the sympathetic Hannes. They become a couple, but after a while, Mathilde meets Carlo, who apologizes and admits being married to a dead sick woman, again...
Gritty and bleak are the best words to describe this film. There’s nothing happy about it.
“Candyman ain't a 'he.’ Candyman is the whole damn hive." Candyman represents all Black victims of white supremacy, and this art form narratively conveys it in a succinct, adulatory way, the history of which is rare to find.
As noted in the headline, I didn’t like this movie. Not to say it’s the worst thing ever, but it’s just…meh. Nothing much to it. Very generic. No surprises. At the very least, the cast is diverse so I’ll give it that.
When diverse representation is featured on-screen, it oftentimes comes with strings attached that undermine the message they were trying to send. This can be attributed to the fact that behind-the-screen, the industry primarily does not reflect the breadth of diverse difference that is present in daily life. That’s why when something as powerful and authentic as Minari comes along, it is both incredibly wonderful and needs a large audience to witness it.
With so many Disney remakes out and about in the world and loosed upon Hollywood cinema, there is one Disney film that truly needs to be seen and witnessed on the big screen: Princess and the Frog.
It is not hard to make a musical biopic that pleases audiences and draws a profit. Michael is no exception.