
Because of the loss of three generations of women in her family during childbirth Ellen Locke is frightened to have kids. Frustrated by her decision, her husband John finds himself drawn to his old love, Constance, now a widow with a child who bears her name. After her sister Marion dies in childbirth, Ellen becomes more obsessed, however one day when Ellen is driving little Constance home they have a car accident. An incident in the hospital changes her perspective leading to a reconciliation with John.
A few episodes in, I realized the most prominent theme of In The Long Run wasn't culture, race or even finding independence--but the idea of belonging.
"Driveways" is a nuanced portrait of an Asian American family, touching on themes of loss, growth, and belonging.
Perhaps the most amazing and groundbreaking quality about The Birdcage is how removed it is from both illness and insensitivity. Whereas films preceding it were often somber stories about the tribulations of being gay in a conservatively straight world, Nichols and screenwriter Elaine May expose the fallacies of conservatism as traditional values are thrown into a more open-minded space. They don’t care how far the community has fallen so much as how high they can rebuild themselves.
It's sexy, regardless of what else is going on.
Netflix’s new rom-com, Voicemails for Isabelle (dir. Leah McKendrick), isn’t just heartwarming, funny, and an achievement in female directing - it’s also an instant classic. Following 20-something aspiring baker Jill (Zoey Deutch), Voicemails for Isabelle tells a story of grief, self-discovery, and fateful connections. Ever since her beloved sister Izzy’s (Ciara Bravo) death, Jill has been leaving her hilarious, extremely TMI voicemails about her chaotic love life and miserable day job as a prep cook. Little does she know that a handsome and unsatisfied real estate agent in her hometown has inherited the number and practically fallen in love with her by listening to her stories.