'Men' Disappoints with a Flat Examination of Misogyny
Despite its simple premise, “imagine being a woman,” the horror behind "Men" feels fueled by a hollow understanding of the insidiousness of misogyny.

Originally released in 2001, Disposable Arts is a thematic/concept album by Masta Ace. The concept follows that Masta Ace is being released from prison, his return to home and joining ‘The Institute of Disposable Arts’. The album is one complete story with the skits and songs together. The album contain many guest artists like Masta Ace’s own group eMC (Stricklin, Punchline & Wordsworth), Apocalypse, Greg Nice, Rah Digga, J-Ro, King T, Jean Grae and more. Also a bunch of different producers, this album is seen as a classic album by most Hip Hop heads. This reissue by Below System, contains almost a 2 hour making of DVD where you will see most of the contributors to the Disposable Arts album. Interviews, stories behind the tracks and more content about the making of Disposable Arts.
Despite its simple premise, “imagine being a woman,” the horror behind "Men" feels fueled by a hollow understanding of the insidiousness of misogyny.
Diversity is incorporated in a way that only aids in a well-rounded conveying of stories through different lenses. The show’s success is a testament to what audiences are craving: authentic stories that broaden the mind and heart.
How closely should film adaptations follow their source material? Let's take a deep dive into "Norma Rae", and find out.
“Candyman ain't a 'he.’ Candyman is the whole damn hive." Candyman represents all Black victims of white supremacy, and this art form narratively conveys it in a succinct, adulatory way, the history of which is rare to find.
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.
The original Mothra is a fun monster movie that has way stronger lore, music, and special effects than most of its contemporaries.