Challengers—Blurring the Lines of Platonic and Romantic Love
What happens to an inseparable bond when love for competing morphs into competing for love?

A story about a gallant band of masked swordsmen who swore loyalty to the king reunites to help the beleaguered King from the evil plot of his brother out to overthrow him.
What happens to an inseparable bond when love for competing morphs into competing for love?
“Candyman ain't a 'he.’ Candyman is the whole damn hive." Candyman represents all Black victims of white supremacy, and this art form narratively conveys it in a succinct, adulatory way, the history of which is rare to find.
We have a long way to go with LGBT representation in film, especially when it comes to LGBT characters of color and trans characters.
When it comes the horror genre, I am VERY hard to please or impress, much less scare. Coming from a current mindset of appreciation for chilling, unsettling, tension-inducing efforts such as "Hereditary", "The Conjuring" (ONLY the first one to date, mind you), "Lights Out", "The Babadook", "Midsommar", "Talk To Me", "Oddity", "Bring Her Back", and the like
The definition of the word foul is “offensive to the senses,” which is a pretty good summation of the new Disney+ film, Artemis Fowl
Wild Child tells the story of a wealthy, spoiled teenage girl named Poppy Moore who lives in Malibu, California, who attends a boarding school in England. This film shows us how Poppy is first labeled as a fish out of water compared to her boarding school classmates, as she is a wild child, but eventually earns her roommates' friendships and respect.