Afterlife of the Party: An Exploration of Female Friendship
Netflix's Afterlife of the Party might fall into the rom-com genre, but it's much more about grief, strong female friendships, and platonic love than it is about romance.
Marvin the Martian in the Third Dimension (1996)
Marvin the Martian mistakes Daffy Duck's Duck Dodgers show, in which Dodgers announces that his forces are about to invade Mars, for a live broadcast and retaliates by going after Daffy, who still thinks they're shooting the show.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
Marvin the Martian mistakes Daffy Duck's Duck Dodgers show, in which Dodgers announces that his forces are about to invade Mars, for a live broadcast and retaliates by going after Daffy, who still thinks they're shooting the show.
Rating:
Genre:Animation
Written By:Chris Otsuki, Kathleen Helppie-Shipley, Douglas McCarthy, Mark Eades, Ryan A. Harmon
In Theaters:10/23/1996
Box Office:
Runtime:13 minutes
Studio:Warner Classic Animation
Cast
Articles You May Like
Black Fatherhood Gets Elevated in ‘Elevation’
There’s been a longstanding criticism of sci-fi films about its lack of Black characters. For the past few years, Anthony Mackie has been successfully representing Black masculinity in the otherwise homogenous genre and I am here for it.
For Rowena, Today Is 'Christmas Again?!'
For a young girl who wishes to keep her current traditions, this holiday will end up with a surprise twist.
“Jingle Jangle: A Christmas Journey” is a Netflix Christmas Treat
Black Christmas movies are few and far in between to find — so it is wonderful to see more representation on the screen just in time
Indian Representation in Disney's Spin
A movie that brings Indian culture with classic Bollywood themes and electronic dance music.
Terminator: Dark Fate - Empowering Women, but a Disappointing Sequel in Arc
Overall, “Dark Fate” is a run-of-the-mill flick. Together, Reyes and Davis have excellent chemistry, but their characters’ story is nothing new, lacking surprise and deep emotion. During the middle points, the film drags considerably, and when the action hits, it feels consistently tight, eliminating the rhythm and fluidity of conflicts.