When his wealthy grandfather falls gravely ill, Raja convinces a kind-hearted flower girl, Radha, to pretend to be his fiancée so the old man can meet a homely bride. Her warmth wins over the family—but when Raja's real girlfriend and her greedy mother show up, Radha must silently endure the fallout to protect the grandfather’s fragile health.
'Legally Blonde' remains a standard of feminist filmmaking over two decades after its release, although its poor treatment of racial and sexual minorities make it a product of its time.
From the cinematography to the script to the acting, Sorry, Baby is undoubtedly one of the best films of the year.
In addition to the cast being delightfully diverse this time around, the film was just loosely-plotted and action-packed enough to keep a casual fan like myself entertained. While I do agree that the writing of Cole left much to be desired for an original character thrust into a preconceived universe, none of the characters seemed particularly fleshed out in terms of personality; however, I think that's to be expected when you're watching a film literally inspired by a video game.
I was able to watch the gleefully mesmerizing Disney remake that was Robert Zemeckis’ Pinocchio. I was enthralled by Zemeckis’ iteration.
A sweet, singalong distraction with several positive messages.
The most divisive character in Multiverse of Madness is undoubtedly Wanda Maximoff. Is she good or evil? Is she "unlikeable?" I'm tired of the debate. I love Wanda because she's for us—she's for the women.
