
Marseille, a city with a dual identity, is seen both as the setting of Pagnol’s films and as a hub for powerful organized crime. Often labeled France’s crime capital, its contemporary history is marked by recurring violence and media portrayals that clash with political leaders’ responses. Jérôme Pierrat examines the roots of this violence, exploring two centuries of social and political challenges that have shaped the city.
When you don’t factor in the plethora of inferior sequels that have been produced, Luca is one of Pixar’s simplest and most unassuming films in years — and there is absolutely nothing wrong with that. The film thrives on being a visual feast with a warm message for all ages, so much so that its unoriginal storyline doesn’t feel that big of a problem.
This animated Christmas movie is based on the classic novel of the same name.
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.
I first saw Dear Evan Hansen on the Broadway stage. Apparently, I was so blown away by the magic of theater that I didn’t pick up on the questionable dynamics. The story's clumsy handling in the movie brought those issues to light.
Gotham City Sirens needs a female voice behind the camera. So, on the chance someone from DC films is reading this, here are ten female directors who would be good choices for Gotham City Sirens.