Kishori, unmarried and mother to a daughter, and her sister Sonal live in a house in Berlin. The house and a cafe on the ground floor are led by Kishori. All of a sudden, her strict and traditional grandmother comes for a visit from India. She wants to sell the house unless Kishori agrees to marry the father of her daughter, Robert. As Kishori feels obliged to all the befriended inhabitants of the house, including Robert, to keep the house, Kishori und Robert prepare to have a traditional Indian wedding.
Complex relationships between mothers and daughters are far from a new concept, whether the strain comes from abandonment, beliefs, or trauma. In My Only Wish, an Incluvie Film Festival submission, Brenda Gutierrez’s take on her character’s maternal divide comes in the form of abandonment.
A short film that begins with the language of romance but slowly reveals something far more unsettling beneath the surface.
After years of mediocrity, Thunderbolts* is the welcome change MCU fans were waiting for.
Overall, Lee Cronin’s The Mummy is plagued by numerous flaws, both from a quality and from a diversity standpoint. The film relies on gore and loud sounds to drown out its flat script, flatter dialogue, and one-dimensional characters.
Taika Waititi and the cast of Thor: Love and Thunder have been hyping up the gayness of this movie, and while there are queer characters, it's not quite the representation we were hoping for.
Wilde’s coming-of-age comedy directorial debut is simultaneously hilarious and entertaining, and remarkably heartfelt and relatable.
