Let's Make Way For the 'Wish Dragon'
A story of a magical dragon brings great representation for Chinese culture.

They’ve been drifting under one roof so long their hearts beat in half-hearted rhythm—he, a rugged chauffeur to the city’s most tempting “delivery health” sirens, and she, the depraved lunch-box artisan whose nimble fingers filled with quiet dedication. Yet fate tempts them both: he spends his days behind the wheel as a driver for high-end “delivery health” escorts, ferrying women who promise discreet thrills to private rooms, while at dawn she catches the gaze of a handsome regular at the bento counter, unleashing waves of longing so electric they could ignite the very air. The married couple are at a crossroad, their shared flat will feel too small to contain the wild forbidden desire roaring in the air.
A story of a magical dragon brings great representation for Chinese culture.
‘A Good Person’ makes it clear that forgiveness is hard.
If you mix religious rituals with dark mythology, the result will be effective, and the story powerful in 90% of the cases. That is exactly what happens at the beginning of The Vigil.
All in all, “Event Horizon” is a cinematic misfire, begging to be perfected in the future. While it possesses an array of admirable visuals, the film leaves much to be desired. If only we could see Anderson’s preferred cut, which featured more character development and tortuous imagery. In the meantime, I have a catchphrase for this film: In space no one can hear you snore.
Nick Rowland’s She Rides Shotgun is a blistering, blood-soaked road thriller that doubles as a bruised love story between a haunted ex-con (a career-best Taron Egerton) and the daughter he barely knows (astonishing newcomer Ana Sophia Heger). Fueled by white-knuckle chases, razor-tense shootouts, and quiet moments of aching tenderness, the film captures both the terror and fragile beauty of survival. It’s gritty, heartbreaking, and unforgettable—a father-daughter odyssey destined to leave audiences shaken.