The Blues, and Two Contradictory Films That Claim It
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.

Marjorie Pope, who is engaged to Magnet, a wealthy suitor whom she does not love, elopes with Trafford, an inventor, after his airplane crashes on the grounds of her parents' rural home. Soon, however, Marjorie, irked by his dedication and idealism, persuades Trafford to market his wonderful invention, but her extravagance leads her into an affair with Sir Roderick. Trafford turns her out of their African home, but she returns to nurse him back to health when he is injured by a lion.
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
Of the 28 total films I watched, just six of them were queer or featured queer characters in some way.
Those perfect Summer or Fall days. The sun is shining, the temperature is JUST right, and you've got nothing else to do. Therefore, isn't it time to get outside and take a nice stroll through the park, or along the shoreline (should you be that fortunate), or even just around the neighborhood? Sure. BUT.....if one lives in the America found in the newest film adaptation of the work from horror author/cultural icon Stephen King.....doing this SHOULD be the LAST thing you hope to find yourself engaged with.
When the retelling of the Cinderella fairy tale and a holiday spirit come together, viewers learn about class issues as well as perseverance despite setbacks.
Despite everything it was capable of, all of these poor choices strung together amount to nothing more than a counter-productive film.