Films that Avert the Idea Animation’s Only for Kids
I hate the idea that animation’s for kids; just because it’s animated doesn’t mean that it’s some silly cartoon and shouldn’t be taken seriously.

Neglected by her workaholic husband Jack, Eileen Spencer begins an affair with novelist Carter Ballantyne. Their planned elopement is halted when Eileen learns that Jack has lost both his money and his eyesight, and she feels compelled to return to care for him. With her friend Dolly Page, Eileen cheats at cards amassing a fortune to send Jack to France for treatment. Carter reappears, threatening to expose her unless she submits to him. Intending merely to reason with Carter, Eileen gives him a key to her apartment, but Jack returns home unexpectedly and finds him there. At her birthday dinner, Eileen, in anticipation of Carter's plan to expose her publicly, confesses her guilt, whereas her husband and her friends forgive her.
I hate the idea that animation’s for kids; just because it’s animated doesn’t mean that it’s some silly cartoon and shouldn’t be taken seriously.
While it initially sounds nothing like 'Nope,' the focus on recording/sharing everything—especially trauma—for profit makes Hulu's 'Not Okay' similar to Jordan Peele’s newest movie.
This Netflix series is a remake based on the book series of the same name with a more diverse main cast.
After two months of refusing to see this movie, I have decided that it’s finally Morbin’ time. After its re-release as a box office bomb; I watched it just to laugh at it. But, I was also surprised, because 'Morbius' is a queer allegory.
Perhaps the most amazing and groundbreaking quality about The Birdcage is how removed it is from both illness and insensitivity. Whereas films preceding it were often somber stories about the tribulations of being gay in a conservatively straight world, Nichols and screenwriter Elaine May expose the fallacies of conservatism as traditional values are thrown into a more open-minded space. They don’t care how far the community has fallen so much as how high they can rebuild themselves.
Omaha reminds us of what it can feel like to look at old family photographs. You sit with the bittersweetness, allowing it to wash over you; not drowning in it, but certainly affected by it.