Looking Behind the 'Z-O-M-B-I-E-S' Trilogy
Our trilogy at Seabrook High School starts with a rivalry between zombies and humans who eventually come together.

Our trilogy at Seabrook High School starts with a rivalry between zombies and humans who eventually come together.
The “gay best friend”, an age-old trope, has been done in countless films and television series. Ranging from one-note (Sex and the City's Stanford and Mario) to nuanced (Unbreakable Kimmy Schmidt's Tituss), the gay best friend exists to support and advise the main protagonist, with their conflicts swept to the side.
To say Hollywood has had a troubled past is the understatement of the century. In Ryan Murphy’s (American Horror Story) new Netflix series, Hollywood, that past is confronted and even rewritten.
Another uneven "Guess Who's Coming to Dinner" redux that says nothing novel about its subject matter.
The French-born director Laure de Clermont-Tonnerre’s strategic choice to entrust the interpretation of a conventional, feminine character to a non-binary actor pays off: Corrin’s Lady Chatterley is awkward, edgy, and uninhibited at the same time.
The Olivia Wilde renaissance is upon us.