'You People' is as Glossy and Uneven as its Predecessors
Another uneven "Guess Who's Coming to Dinner" redux that says nothing novel about its subject matter.

With the show HELDIG, Mark is on a mission he describes as: “To bring the laughter back when there's sometimes not a hell of a lot to laugh about”. HELDIG is about getting a chance to embrace the bumps in the road instead of always painting the devil on the wall. The idea for the new one-man show HELDIG actually originated in BØVL, where he worked with the moral: “that it doesn't pay to worry, because your greatest fears rarely come true”. As it turned out, this moral had a tragicomic outcome in the comedian's own life. A week after the show premiered on TV, Mark got the news from his doctor that they thought he had cancer. "The human in me was scared, but the comedian in me was deeply impressed by the timing! Two things are certain: 1: I can't wait to get out there with my new show. 2: I don't dare bring a big moral" - says an otherwise fit-for-fight Mark le Fêvre.
Another uneven "Guess Who's Coming to Dinner" redux that says nothing novel about its subject matter.
In less than 30 minutes, Proudfoot guides the viewer through a narrative that touches on American history, mind-health issues, race, and gender politics
Alongside A Drowning Man, I Signed The Petition, 3 Logical Exits, and A World Not Ours, A Man Returned continues to paint a realistic portrait of the Refugee Crisis that eschews the Western gaze and stereotype. These are real portraits painted by a director with lived experience, cultural connection and an amazing eye for visuals.
Ultra-violent storytelling has never been my thing, but the issues with Scarface go beyond that. The film perpetuates harmful stereotypes about Latinx immigrants and uses gore and misogyny for shock value that never serves any purpose. The whole venture is frustratingly empty, and left me desiring something more.
Malignant is a roller coaster ride of slow-build scares, moments of wonderfully absurd camp, and explorations of autonomy.
With such a raw look at the 15th century, it seems that Disney was really trying to step outside of its element with this motion picture.