Mitch Downe From "Paranorman" Is Awesome Gay Representation
Gay representation is out there, but to portray a character who's gay as a big, happy brute is a rare treat.

When Franck, a cool and laid-back heartthrob, meets Lily, a trendy and pretty girl, sparks fly. After a sensual and tender dance, he walks her home... But the rude awakening comes... Together, they promise never to see each other again. But fate has other plans; they've both been chosen by Stephan, Franck's childhood friend, and Deborah, Lily's best friend, to organize their "Surprise Wedding"!
Gay representation is out there, but to portray a character who's gay as a big, happy brute is a rare treat.
Netflix’s Shadow and Bone has a complicated relationship with race. It has a diverse cast, but not without its problems. Based on Leigh Bardugo’s two book series, the show features characters from the Shadow and Bone trilogy, which is very straight and white, and the Six of Crows duology, which is much more diverse. When bringing together a cast and writing about these characters, the team behind the show expanded upon some of the representation missing from the first trilogy, then seemed to take away representation from the duology. Shadow and Bone seems to play a bit of a push and pull game when it comes to portraying diversity onscreen.
The newest in a long line of Cinderella adaptations, Amazon’s Cinderella (2021) prizes girlbossification above the very story it tries to adapt.
A lonely little Hawaiian girl and her mischievous blue alien friend form a bond that heals both of their hearts, as well as ours. This live action version adds emotional nuances—notably in the sisters’ dynamic—while preserving the charm of the original.
Years before Mexican director, Alfonso Cuaron, was winning Academy Awards for movies like Gravity (2013) and Roma(2018), he directed a small, intimate film about two best friends who decide to embark on an improvised road trip to spend time with an older, attractive woman who miraculously agrees to go with them. Y tu Mamá También is a deep journey into the raw sexuality and friendship of the young protagonists, as well as a subtle social and political commentary on Mexico at the time.
Death on the Nile (1978) film mindless entertainment playing out on sets and wonders larger than the stakes, both of these films fail to live up to the hype of Agatha Christie's mystery. Check out cast & characterless controversy.