‘The World to Come’ Movie Review: A Stunning Period Romance
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.

A family of five lives together in an old village house. While the parents are slowly aging, the children are growing up, and it is clear that they will soon go their own way. This unchanging rhythm of everyday life is disrupted by the unexpected news of the mother’s pregnancy, and the idea of a new sibling gradually affects all members of the household. March to May is an understated, intimate portrait of family togetherness, which is often expressed in the smallest of ways. An unassuming yet highly original story, filmed with the same tenderness and patience with which nature awakens every spring. Vojtěch Kočárník (kviff.com)
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.
If you mix religious rituals with dark mythology, the result will be effective, and the story powerful in 90% of the cases. That is exactly what happens at the beginning of The Vigil.
A man found himself stuck inside the passage to the subway exit on the way to work.
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That gut-wrenching feeling you have while watching it is okay but needed, and you, the viewer, will be okay.
On their new show, The Kardashians, the famous family continues to use their personal lives as advertisements for thier billion-dollar businesses.