A Simple Mix-up has Barbaric Results in 'Barbarian'
'Barbarian' is horror infused with something ridiculous that makes the whole thing entertaining.

In 1996, Marcello Mastroianni talks about life as an actor. It's an anecdotal and philosophical memoir, moving from topic to topic, fully conscious of a man "of a certain age" looking back. He tells stories about Fellini and De Sica's direction, of using irony in performances, of constantly working (an actor tries to find himself in characters). He's diffident about prizes, celebrates Rome and Paris, salutes Naples and its people. He answers the question, why make bad films; recalls his father and grandfather, carpenters, his mother, deaf in her old age, and his brother, a film editor; he's modest about his looks. In repose, time's swift passage holds Mastroianni inward gaze.
'Barbarian' is horror infused with something ridiculous that makes the whole thing entertaining.
Lindsay Lohan makes a big film comeback in this amazing holiday comedy of the year.
Not every silence is empty. Some are filled with things too heavy for words.
The film blends reality and the supernatural world together, leaving the viewer unsure of what’s real and what’s merely a figment of Michael’s agitated imagination.
Disney has cleverly managed to dance around the misdeeds of their past by scraping by with an insincere action that does very little to incite any long-lasting positive changes.
‘Barbie’ is an entertaining, meaningful piece of filmmaking with a heartfelt message.