“Jingle Jangle: A Christmas Journey” is a Netflix Christmas Treat
Black Christmas movies are few and far in between to find — so it is wonderful to see more representation on the screen just in time

It is a fragmented portrait where Marcel embodies different characters, a mischievous dandy immersed in a profusion of shimmers and erotic pictures, a bewitching photographer featuring nonchalant beauties like Sicilian shepherds or a black angel, romantic walker Nosferant performing cyclical rituals that celebrate Eros and Thanatos. Dark or bright masks of his desires echoing. Lyrical images, film editions as secular and sacred celebrations where, in the often frenzied allegories which unveil a bewitching Marcel, entangled beautiful and young shooting stars such as Sarah, Orlan, Baptiste, Patrice, Samuel, Roman, Thomas, Anders, Alex, Christian, Yohan or Elie.
Black Christmas movies are few and far in between to find — so it is wonderful to see more representation on the screen just in time
This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.
Jordan Peele's turn to horror with "Get Out" isn't as unexpected as it may seem. He primed his fans for a disturbing and nuanced exploration of racism with his work on "Keanu" and "Key & Peele."
The Resort has an excellent climax surrounded by disappointments. Somehow, at a mere 75 minutes, this movie still manages to be 70 minutes too long.