Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

Sara is unhappy in her job, her relationships, and just about everything else she has going on in her life. One Friday night, a night she thinks her longtime boyfriend is going to propose, Sara is surprised when things don't go as planned. Soon things turn violent and Sara has to cover her tracks. This all coincides with a visit from a know-it-all plumber, a nosey neighbor, and phone calls from a friend who talks incessantly. Tired of being MANSPLAINED by the world, Sara enacts the best kind of Polanski-esque revenge on her would be mansplainers.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
‘Better Than Chocolate’ isn’t perfect, but it sure has charm! The characters are great. Some took longer to grow on me than others, but ultimately they’re all compelling! I appreciate how a select few help those around them to grow.
This horror, action, and fantasy movie released on Disney+ has a symbolic aspect.
This current year, as well as the past several, has seen a slowly building increase in something the horror genre has required for quite a while in this critic's opinion...originality. I've stated before that I am very hard to please when it comes to this vein of the film industry's offerings, always leaning more towards that which sends chills through my very being in lieu of buckets of blood and gore.