"A man has got to see his face." Horror Noire: A History of Black Horror
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.

On July 23rd of 2005, Manowar headlined the Earthshaker Fest 2005. This performance was a unique historical event as it included a grand finale featuring Manowar members past and present on stage as one powerful, heavy metal legion, as well as an epic set up with a 200-piece choir and orchestra. The majesty and emotion of this event and the overwhelming reaction of more than 25 000 fans in attendance serves as a fantastic example of the preeminence that Manowar embodies. Accompanying this spectacular concert, the Manowar Mega Fan Convention itself was something to marvel at. Thousands of fans from countries across the globe converged on Geiselwind, Germany for three days of Manowar festivities. After witnessing the devotion and commitment of Manowar's fans, it is obvious why the band attests to having "the greatest fans in the world".
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
'Prey' is the seventh edition of the Predator series and offers a new take on the iconic hunter and an amazing representation of Native Americans.
An unlikely friendship changes the hearts of men, and helps a young boy come into his own.
The differences in these films could not be more blatant, and yet Gus Van Sant has found a way to portray the same messages and use the same techniques in each.
Hitchcock is no stranger to innuendo, as was common in that era, but there was something so sophisticated about his approach to 'Rope', and it starts in the first frame.
In this high-flying mission, the pups gear up with jets to stop the Duke of Flappington and save Barkingburg.