Master: The Horror of Deceptive Racial Politics in Academia
“It's not ghosts. It's not supernatural. It's... It's America. And it's everywhere.”

Since the 1990s, the old Gaulin Manor has housed erstwhile residents of Saint-Hyacinthe psychiatric hospital. Some thirty inhabitants occupy this alternative lodging space, their salvation after the wave of deinstitutionalization that one day threw them into the streets with no resources. Profit rules, and so this motel at the world's end will be destroyed to fill the pockets of promoters. The film captures this turning of the page, where each lost character reshuffles their daily life in moving on to the next chapter. Lending an ear to these forgotten outcasts, Manor is careful in framing these shadowy figures, bringing them to life in the light of our attention.
“It's not ghosts. It's not supernatural. It's... It's America. And it's everywhere.”
This film is a splendid mix of mediums, but its strength lies in its simplicity and beautiful message of closeness.
Like millions around the world, I've been waiting four years for the renowned #SnyderCut. I'll never forget sitting in the theater on opening night, witnessing a CGI mouth on Henry Cavill's face about five seconds into Justice League. That's a thing of nightmares if I must say. Anyways, right then and there, I knew I desperately needed Zack Snyder's film.
This list was made with the intention of celebrating the craft. I love seeing more women of colour on this list than before and more newcomers on the scene as well!
At 2:17 a.m., every child in a third-grade class wakes up, leaves their home, and disappears into the darkness—except one. The next day, teacher Justine Gandy discovers that Alex Lily is the only student left, while the rest have vanished without a trace. Did Justine have something to do with it, or is a far more sinister force stalking the town, targeting not just children, but anyone in its path?