
Mobster Asiong Salonga (ER Ejercito) rules the mean streets of Manila with an iron fist—until he is betrayed by a trusted friend. Manila Kingpin is based on the story of the notorious Tondo, Manila, gang leader Nicasio “Asiong” Salonga, whose true-to-life accounts had been portrayed in several movie versions since 1961 (starring Joseph Estrada). It is also the first Filipino major film produced in black-and-white in the 21st century as well as the returning action genre movie. Before the film was shown, Tikoy Aguiluz requested the producers, through his lawyers, that his directorial credits in the film and promotional tools be removed because the final version of the film can no longer be described as his after the producers made a reedit, re-shoot and music mixing without his involvement. He also demanded that he be allowed to make a director's cut of the film.
From its visually stunning opening credits, which show women dancing through a forest to musical rhythms that sound almost primal, to its quiet, heartbreaking final frame, Mona Fastvold’s historical rendering of the Shaker religious movement is an experience that will stay with me for a long time.
When you don’t factor in the plethora of inferior sequels that have been produced, Luca is one of Pixar’s simplest and most unassuming films in years — and there is absolutely nothing wrong with that. The film thrives on being a visual feast with a warm message for all ages, so much so that its unoriginal storyline doesn’t feel that big of a problem.
Animation as a medium of storytelling can be thought to be open to all ages and as I hope my readings will reveal, they could be interpreted as transgender stories.
A few episodes in, I realized the most prominent theme of In The Long Run wasn't culture, race or even finding independence--but the idea of belonging.
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.