"A man has got to see his face." Horror Noire: A History of Black Horror
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.

Manifiesto Fiesta is a short documentary that explores and deconstructs the dominant notion of celebration. Through voice-over narration, archival footage, and recordings of electronic, Christian, and patriotic parties, it reveals festivity as an ancestral pulse of the human experience. What once seemed like an escape is unveiled as a return — a journey back to the shared origin of our species.
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
In ‘The Owl House’ protagonist Luz Noceda stumbles across a portal to another dimension where magic exists, called The Boiling Isles.
The problem isn’t that it’s bad. It's good. But it fails to stand out from a crowd of similar films.
A haunting look at grief, survival, and a mother’s quiet collapse in a world that never gave her room to fall.
If you were to watch it on streaming when you have nothing to do, it’s still probably a giant waste of time, but you could do far worse. Paying $18 for a movie ticket and who knows how much for concessions turns this from an exercise in boredom to an exercise in frustration.
Women who pray together, play together. Very rarely would I describe a story about a group of punk rockers as “whimsical”, but such an engaging array of visual and comedic components make this stand-out new series the star that it is.