'The Baby-Sitters Club' (2020)
This Netflix series is a remake based on the book series of the same name with a more diverse main cast.

Steve O'Dare, a young New Yorker who has gone off to Wyoming to be a cowboy, returns to New York to sell some cattle. He bores his friends with tales of the exciting Western life, so they plot to trick him with a mock abduction. But although Steve falls for the gag, he ends up turning the tables on his friends.
This Netflix series is a remake based on the book series of the same name with a more diverse main cast.
This film’s ambition is betrayed by its lack of substance.
By undermining the appeal and credibility of black characters, the show compromises the very idea of diversity and representation it sets to promote.
(Disclaimer: Harmful Language) In celebration of Pride Month, Father's Day, and father figures (and whoever supports you), I revisit Moonlight's brief but spectacular character, Juan. With overarching themes tied to masculinity, I reexamine his intimacy with Little.
From its visually stunning opening credits, which show women dancing through a forest to musical rhythms that sound almost primal, to its quiet, heartbreaking final frame, Mona Fastvold’s historical rendering of the Shaker religious movement is an experience that will stay with me for a long time.
Director and writer, Miles Marti, brilliantly created a film that captures the story of a kid that learns a new reality all within the walls of her classroom. Tears Of Knowing lightly steps into the devastation of loss through a childhood lens, and presents a perspective that is not often acknowledged. Though grief and loss are important aspects, the film also showcases excellent portrayals of trust, innocence, and naivety.