Netflix’s “Self Made”: What's Fact and What's Fiction?
Netflix takes some liberties in its portrayal of Madame CJ Walker, a trailblazing Black entrepreneur.

After six years as a guest of the state, mob hit man Jason Reed wants nothing more than to get an honest job and spend time with his young son, Tommy. He is not ten steps outside of the prison before being greeted by Keither, an old crony anxious to pick up where they left off. While out for a drive with his son, Jason saves a young woman from a gun wielding thug, not realizing that he has just managed to ruin Keith's plans to recover some stolen heroin. While fending off various retaliatory attacks from his old buddies, Jason must also deal with his ex-wife, a reformed drug addict who has returned from out of nowhere intent on re-uniting with Tommy.
Netflix takes some liberties in its portrayal of Madame CJ Walker, a trailblazing Black entrepreneur.
Films staring black transgender actresses/actors are few and far between, it’s refreshing to see a demographic represented in film that hardly gets any attention. This is especially important as the Black trans community has been shown in studies to face the highest level of discrimination amongst general trans and non-binary groups. That is why it’s so crucial that we amplify their voices through any way we can, storytelling being a great medium to do so.
The most divisive character in Multiverse of Madness is undoubtedly Wanda Maximoff. Is she good or evil? Is she "unlikeable?" I'm tired of the debate. I love Wanda because she's for us—she's for the women.
America is the crux of the storyline: she is the only person in existence with the power to jump between universes. As central as America is to the Multiverse of Madness story, she somehow didn’t get that much to do.
A young woman who dislikes dogs changes forever when a beloved pet comes into her life in this heartwarming story for animal lovers.
Featured in Incluvie’s 2020 Film Festival, Kung Fu Chit tells the story of a girl who doesn’t quite fit in.