Last Christmas: Emilia Clarke Stopped Eating Hearts and Decided to Win Them.
In Paul Feig’s newest comedy, Last Christmas, Katarina (Emilia Clarke) didn’t give a heart, she got a heart, you see.
Mango (2025)
An ambitious hotelier and her reluctant daughter take a trip to Málaga, where they find what they've been craving in a farmer's idyllic mango orchard.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
An ambitious hotelier and her reluctant daughter take a trip to Málaga, where they find what they've been craving in a farmer's idyllic mango orchard.
Rating:
Genre:Romance, Drama
Written By:Milad Avaz
In Theaters:11/7/2025
Box Office:
Runtime:96 minutes
Studio:Drive Studios, Rocket Road Pictures, Nordisk Film
Articles You May Like
'Pulgasari': The Strange Story Behind North Korea's Godzilla
When we hear Korean Cinema, we often think of South Korean Cinema, but what about North Korea? Sure, North Korea has its propaganda moments, but 'Pulgasari' might be its best one yet.
Sand Storm: A Look Into Bedouin Culture and the Pressure Women Feel to Keep Tradition Alive
This 2016 winner of an Ophir Award for Best Film focuses on the forbidden romance of a young, Bedouin woman and the ramifications it has for her family, her identity, and her culture.
Revisiting 'A Girl Walks Home Alone at Night': The Vamp, the Shape-shifter, and the Hybrid
Who said Batman is the only hero to rock the black cape? This article will explore vampires as trans allegories and the femme fatale trope being remastered.
A Lesson in Self-Fulfillment: An Incluvie Film Festival Review of ‘My Only Wish’
Complex relationships between mothers and daughters are far from a new concept, whether the strain comes from abandonment, beliefs, or trauma. In My Only Wish, an Incluvie Film Festival submission, Brenda Gutierrez’s take on her character’s maternal divide comes in the form of abandonment.
Hitchcock's Subtextual Coding in 'Rope'
Hitchcock is no stranger to innuendo, as was common in that era, but there was something so sophisticated about his approach to 'Rope', and it starts in the first frame.