Is She The Suitcase Killer?
Remember Caroline from Vampire Diaries? Well, now she’s The Suitcase Killer, allegedly.

Filmed in Japan, this program looks beyond the stereotypes to objectively examine the history of manga, how manga are drawn, and manga's influence on Japanese life as illustrated by cosplay bars, where people dress up as their favorite characters; manga kissa, 24/7 manga cafes; and Comicket, the twice-annual comics market that draws hundreds of thousands of visitors. The program also introduces viewers to a cross-section of mangaka icons: Vagabond creator Takehiko Inoue; Naoki Urasawa, author of The Pushman and Other Stories; Jiro Taniguchi; Yoshihiro Tatsumi; and Kan Takahama.
Remember Caroline from Vampire Diaries? Well, now she’s The Suitcase Killer, allegedly.
Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
Only time will tell what this new Black Panther and movie will show us with all of the old and new elements of the superhero craft integrated.
Director Martin Scorsese broadens his boundaries from mafia-driven movies, to a Buddhist biopic of the 14th Dalai Lama. While Buddhism strives for peace, ‘Kundun’ reveals the violence inflicted on Tibetan Buddhists and Scorsese’s depiction of violence does not stray away.
The more biting satire is reserved for those on top of the power structure, such as the police, while those occupying lower levels are given more nuance and likability, even if they operate on the wrong side of the law. This principle gives Deep Cover its heart.