‘Little Boxes’ Had Good Intentions, But...
In 'Little Boxes," an interracial family moves to an all-white town where they face the judgement of others who have never been exposed to people of color before.

Colonel Honorine Munyole is a robust forty-four-year-old widow and mother of seven young children – four of her own, three adopted. She wields her uniform, beret and black handbag like a protective shield, which her daily work desperately requires. More or less on her own, she runs a small police unit dedicated to protecting women who’ve been raped and children who’ve suffered abuse in the war-plagued regions of the Congo. At the start of Maman Colonelle, she’s transferred from Bukavu to Kisangani, arriving only to discover her future home and office in a desolate state. While she deals with such practical obstacles with suitable feistiness, the traumas and social deformities of the people around her have nightmarish dimensions: the envy surrounding those with state-recognised ‘victim’ status, hope for help from the ‘whites’, depression, helplessness.
In 'Little Boxes," an interracial family moves to an all-white town where they face the judgement of others who have never been exposed to people of color before.
A South Korean romantic drama film that brings a strong first love story.
Gritty and bleak are the best words to describe this film. There’s nothing happy about it.
Cartoon Saloon is an animation studio that should be appreciated more. They tell unique stories with unique animation, proving that 2D animation is still alive and well.
While the film didn’t hit me as emotionally as I wanted it to, I still enjoyed it. I simply wish there was a little more, particularly with the world building.
A quiet film that does not demand your tears but earns them. It explores love that lingers, timing that fails, and the silence between what was and what could have been.