During one of his campaigns, Malkoçoğlu Ali Bey was taken prisoner by Homer and spent years in a dungeon, enduring torture. He eventually escapes. Separated from his beloved wife and his unknown son Polat, he continues his life as a cavalry leader on horseback. His son's desire to become a cavalryman brings together the father and son, who do not know each other. They are given a mission: to prevent Cem Sultan, the son of Fatih Sultan Mehmet and the blood brother of Malkoçoğlu Ali Bey, from falling into the hands of the Venetians. This film tells the story of Malkoçoğlu Ali Bey, the son of the famous raider Malkoçoğlu Bali Bey, who was educated at the Enderun-ı Hümayün, the palace university founded by Fatih Sultan Mehmed Han. He served as the governor of Sofia and was martyred in the Battle of Çaldıran in 1514.
Although Christmas is a time of year for love and cheer for all, holiday cinema has not always represented diverse communities. Being a holiday with Christian origins, much of its media consists of straight white families or straight white romances. Luckily, modern years have been bringing with them plenty of POC and LGBTQ+ representation that the holidays so desperately need.
Clearly, in the end, Allison raised a responsible child because she knew that her "friend" was doing something that made her uncomfortable and turned away from her. No worries, Super mom was already one step ahead of her.
Have a Good Trip offers a rather balanced look at psychedelic use. While its main narrative is the stories of recreational use by celebrities, it does delve into the medical history of psychedelics and its use in psychotherapy.
Wilde’s coming-of-age comedy directorial debut is simultaneously hilarious and entertaining, and remarkably heartfelt and relatable.
Darren Aronofsky’s Caught Stealing is a gritty, darkly funny thrill ride through 1998 New York, with Austin Butler delivering a raw, magnetic turn as Hank Thompson—a washed-up ex-ballplayer turned bartender whose life implodes after cat-sitting for his punk neighbor drags him into a violent underworld of gangsters, crooked cops, and chaos. Brutal yet unexpectedly hilarious, the film blends noir grit with midnight-movie absurdity, proving Aronofsky can reinvent himself while Butler cements his status as a true movie star.
It doesn’t offer an absolute answer for the dialectical ethical questions that emerged in search of justice but portrays the characters as living people beyond the identities of victims.
