Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
Making of The Last of Us poster

Making of The Last of Us (2023)

Featuring extensive interviews with the cast and crew, this all-access documentary gives a rare glimpse into the daunting behind-the-scenes efforts that went into the production of the HBO Original smash hit series The Last of Us.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Featuring extensive interviews with the cast and crew, this all-access documentary gives a rare glimpse into the daunting behind-the-scenes efforts that went into the production of the HBO Original smash hit series The Last of Us.

Rating:PG-13
Genre:Documentary
Directed By:Paul C. Rosen
Written By:
In Theaters:3/12/2023
Box Office:

Runtime:32 minutes
Studio:HBO

Articles You May Like


The Thursday Murder Club: Sharp, Charming, Fun

At Coopers Chase, murder isn’t just tragedy—it’s Thursday’s entertainment. Chris Columbus’ The Thursday Murder Club transforms Richard Osman’s bestselling series into a cozy, clever whodunit where Helen Mirren, Pierce Brosnan, Ben Kingsley, and Celia Imrie prove that life’s sharpest twists don’t stop with age. With llamas on the lawn, cakes at the ready, and secrets around every corner, this star-powered mystery balances charm, humor, and heartache, reminding us that friendship, resilience, and reinvention might just be the ultimate clues.

Nilufer Ozmekik

It's Theater VS Cancer in "Don't Say Good Luck"

Netflix’s new comedy drama, Don’t Say Good Luck, is a heartwarming tearjerker as well as a love letter to the transformative power of being a theater kid. Directed by Julia Hart, Don’t Say Good Luck follows Sophie (Sunny Sandler), a theater kid who finally gets the lead role in her school’s production of Waitress - just as she finds out her mom Elizabeth (Melanie Lynskey) is dying of cancer. While the singing is by no means spectacular and Sandler’s acting is stiff, the film is grounded in the moving performance of Lynskey as a mother who wants nothing more than for her daughter to achieve her dreams, even if she can’t be there to see them.

Jo Moses