Wreck-It Ralph Transforms from Bad Guy to Good Guy
I'm bad, and that's good. I will never be good, and that's not bad. There's no one I'd rather be than me.

Maki has been on the streets a long time and is married to Mbingazor, the gang’s boss. But at some point, the 19-year-old has had enough of this gang of boys, who are too busy getting high and drunk to do anything with themselves. Survival must be secured. The next time money for food runs out, Maki crosses paths with the much younger Acha. This newcomer is a fresh arrival in Kinshasa, and doesn’t yet know the rules. Spurred on by Acha’s beginner’s luck as a thief, the pair set off on an adventure together, which soon arouses Mbingazor’s jealousy.
I'm bad, and that's good. I will never be good, and that's not bad. There's no one I'd rather be than me.
Dead Poets Society relies on patriarchal tropes such as overbearing fathers, contrived brotherhood, and faux-individuality in order to portray its straight white male characters as oppressed.
“Synchronic” is special, but it doesn’t succeed in achieving all the objectives it aims for. The film is a science fiction oeuvre which tries to be cerebral at some points, although the original idea is interesting, it only accomplishes to talk about some serious matters superficially.
The story continues in 'Tall Girl 2' as Jodi finds herself playing the lead role in the school's musical production.
"13 Going on 30" tracks the tricky transition from adolescence to adulthood.
In The Novelist's Film, Hong explores the meaningful things people share and inspire by virtue of simply engaging with one another.