Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
The importance of trying new things and teamwork are two life lessons explored in this family-friendly sports film.
The latest installment in the beloved media franchise is a unique stylized mesh of humor and heart.
Omaha reminds us of what it can feel like to look at old family photographs. You sit with the bittersweetness, allowing it to wash over you; not drowning in it, but certainly affected by it.
It doesn’t offer an absolute answer for the dialectical ethical questions that emerged in search of justice but portrays the characters as living people beyond the identities of victims.