“Disclosure Day” and Anthropocentrism
Disclosure Day asks us to question humanity's role in the universe but falls victim to the same assumptions of centrality.

Monique is a popular singer disguised as Digna to escape from her stepfather and his stepbrother Gilbert, who slowly killed her mother and also wanted to kill her to seize their wealth. Gilbert and his father thought Monique is already dead until he met Monique in a restaurant as a waitress. Due to this, Gilbert hunts Monique to get her killed. While trying to escape Gilbert's men, she accidentally met Carding, a thief in Ermita with his sidekick Libag. Their love story begins while she stays with Carding's slum along with the kids Carding is taking care of. Gilbert and his father were later caught during police operations and Monique recovered her house and wealth. In the end, Monique keeps Carding's kids in her house and confirmed their love for each other.
Disclosure Day asks us to question humanity's role in the universe but falls victim to the same assumptions of centrality.
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Netflix’s new comedy drama, Don’t Say Good Luck, is a heartwarming tearjerker as well as a love letter to the transformative power of being a theater kid. Directed by Julia Hart, Don’t Say Good Luck follows Sophie (Sunny Sandler), a theater kid who finally gets the lead role in her school’s production of Waitress - just as she finds out her mom Elizabeth (Melanie Lynskey) is dying of cancer. While the singing is by no means spectacular and Sandler’s acting is stiff, the film is grounded in the moving performance of Lynskey as a mother who wants nothing more than for her daughter to achieve her dreams, even if she can’t be there to see them.