Love, Regret, and Art: Pandemic Lessons from Station Eleven and The Real World
The three themes of lessons learned from HBO Max's Station Eleven are the same as the pandemic: love, regret, and art.

Fireworks enchant our senses – for a short but wonderful moment. Old family businesses have saved the tradition of fireworks to the present day. The film shows how this art form has developed over the centuries: Starting in China over a thousand years ago, we journey through the opulent Baroque era in Italy, Germany and France, experience Japanese hanabi artists in action and are also on hand to experience Guy Fawkes’ Night in the UK. We see how fireworks were democratised, becoming something that everyone could enjoy and have access to - before arriving in the present where the art of fireworks is again what it was in its heyday, a celebration of money, power and beauty.
The three themes of lessons learned from HBO Max's Station Eleven are the same as the pandemic: love, regret, and art.
Wilde’s coming-of-age comedy directorial debut is simultaneously hilarious and entertaining, and remarkably heartfelt and relatable.
This film is based off of The Diary of a Young Girl, which was written during the Holocaust period.
America is the crux of the storyline: she is the only person in existence with the power to jump between universes. As central as America is to the Multiverse of Madness story, she somehow didn’t get that much to do.
Portraying how easy it is to be an ally heavily benefits the majority audience. The more we encourage it, normalize it, and give people the tools to become one, the sooner we can co-exist peacefully.
Zombie apocalypses have been metaphors for late-stage predatory capitalism, but never a system disrupter that brings about freedom.