Five Nights at Freddy's—Exciting Game Adaptation or Boring Snoozefest?
In light of the trailer release for the Five Nights at Freddy's sequel, it’s due time to talk about the first movie.

After Mac Daddy decides to quit being an international ladies man, two of his best pupils (Diego and Damon), who have been trained by him in the arts of seduction, decide to take over. Damon and Diego take their game to Vegas to become international ladies men. But Damon ends up hitting on the wrong woman, and both Damon and Diego get involved with the most dangerous Italian Mafia in Vegas. Now Mac Daddy must come back into the game, to help save their lives.
In light of the trailer release for the Five Nights at Freddy's sequel, it’s due time to talk about the first movie.
“The most disrespected person in America is the Black Woman/the most unprotected person in America is the Black Woman,” Director Spivey Jr quotes. The quotes are absolutely true. Misogynoir is a devastating social ill that is not given the weight it is due.
When you first hear that there is a series on Netflix where the lead character’s wife dies from cancer and he becomes dangerously suicidal, you wouldn’t immediately assume that it’s a comedy.
Netflix’s new rom-com, Voicemails for Isabelle (dir. Leah McKendrick), isn’t just heartwarming, funny, and an achievement in female directing - it’s also an instant classic. Following 20-something aspiring baker Jill (Zoey Deutch), Voicemails for Isabelle tells a story of grief, self-discovery, and fateful connections. Ever since her beloved sister Izzy’s (Ciara Bravo) death, Jill has been leaving her hilarious, extremely TMI voicemails about her chaotic love life and miserable day job as a prep cook. Little does she know that a handsome and unsatisfied real estate agent in her hometown has inherited the number and practically fallen in love with her by listening to her stories.
We sat down with Writer/Director Albert Acosta to discuss his debut short film, (ha-ha), Acosta's foray into narrative cinema, and how his personal experiences have shaped his filmmaking philosophy.
Director and writer, Miles Marti, brilliantly created a film that captures the story of a kid that learns a new reality all within the walls of her classroom. Tears Of Knowing lightly steps into the devastation of loss through a childhood lens, and presents a perspective that is not often acknowledged. Though grief and loss are important aspects, the film also showcases excellent portrayals of trust, innocence, and naivety.