‘Malcolm & Marie’ Review: A Promising Premise With Disappointing Results
Sam Levinson's latest film can't keep up with the excellence of its performances.

Tensions rise when the trailblazing Mother of the Blues and her band gather at a Chicago recording studio in 1927. Adapted from August Wilson's play.
Sam Levinson's latest film can't keep up with the excellence of its performances.
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.
It surely isn't for everybody and could certainly offend some folks, but Troll Hunter takes a different approach to representing religion in a film.