Louis Theroux Takes Us "Inside the Manosphere" and It's Even Scarier Than You Expect
Leveraging the cockiness of many of his interview subjects, Theroux created an exposing documentary that shows just how scary these sections of the internet can be.

Professor Himeda, who teaches folklore at the university, has launched a youkai circle. At the end of the Edo period, a demon woman who fell in love with a kappa and a zashikiwarashi tried to trick the villagers into breaking up their relationship, but the kappa, with the help of a high-ranking priest, sealed the demon in a mound. Himeda wanted to find the "mound". By chance, he hears that member Asano is from the birthplace of yokai legends and that her family runs a guest house, so Himeda heads to a research camp with other members Satomi (Riri Kuribayashi) and Shibata. However, Shibata is shocked when she learns that Satomi, who had been in love with her, is actually having an affair with Himeda. On the other hand, Asano, who has returned to his parents' house ahead of others, waits for the arrival of the party with Mr. and Mrs. Nagata, who run a guest house, and his daughter Aya (Ito Kurenai).
Leveraging the cockiness of many of his interview subjects, Theroux created an exposing documentary that shows just how scary these sections of the internet can be.
If you haven’t watched Good Trouble yet, you need to. This Foster’s spinoff, aptly named for civil rights champion and Congressman, John Lewis, follows Mariana and Callie Adams Foster as they begin a new chapter of young adulthood and navigate life, careers, social justice, and love.
Even if Drive My Car (2021) doesn't win Best Picture, it exudes a palpable sense of dreariness and lifelessness that is further embodied by Yusuke, portrayed tragically by Hidetoshi Nishijima. Check out movie reviews & summary!
"A Drowning Man" (2017) explores the unseen aspects of the Refugee Crisis. In, 15 far-too-short minutes, viewers are given a detailed snapshot of what it's like for a refugee to drown in the waters of poverty and otherness while trying to navigate a land whose promise has worn off, and only 'strange' remains.
Malignant is a roller coaster ride of slow-build scares, moments of wonderfully absurd camp, and explorations of autonomy.
The newest in a long line of Cinderella adaptations, Amazon’s Cinderella (2021) prizes girlbossification above the very story it tries to adapt.