Wanda Maximoff: The Hero We Deserve, Not The Villain We Need
If the message here is that without a support system, grieving people turn into monsters, it’s not really well-delivered and may be flawed as a message itself.

Two young gay men investigate a deserted house. They come across a magazine depicting homosexual practices which they try to imitate. What happens when the mysterious lodger returns and finds them indulging in forbidden delights?
If the message here is that without a support system, grieving people turn into monsters, it’s not really well-delivered and may be flawed as a message itself.
What starts off as a success story for a single mother living below the poverty line, slowly begins to weave itself into a tangled web of greed, guilt, and destruction.
The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.
Shudder makes an incredibly atmospheric docuseries about the darker side of Hollywood mysteries.
'Kajillionaire' is a touching and eccentric story about family, crime, and the search for belonging.