“Michael” and the Tension of Lacking Tension
It is not hard to make a musical biopic that pleases audiences and draws a profit. Michael is no exception.

The ice caps are melting, there’s overpopulation, political unrest; everything’s going to hell in a handcart – why on earth would someone bring a baby into this world? Directed by Matthew Warchus, Claire Foy and Matt Smith perform a socially distanced version of Duncan Macmillan’s hilarious emotional rollercoaster of a play about a couple wrestling with life’s biggest dilemmas live from The Old Vic.
It is not hard to make a musical biopic that pleases audiences and draws a profit. Michael is no exception.
“Reboot” can be crass and has much room to improve, but with investments of time and care, could flower out of the seed of a vision.
'Selena: The Series' loses sight of the story's heart: Selena herself.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
The more biting satire is reserved for those on top of the power structure, such as the police, while those occupying lower levels are given more nuance and likability, even if they operate on the wrong side of the law. This principle gives Deep Cover its heart.
Even now, the well-established Snyder has yet to learn this as he continues to allow misguided decisions to convince him that his projects hold the same kind of intelligent and emotional weight. Army of the Dead is a tonal mess, one that never decides what it’s trying to be, and, for all we know, doesn’t want to decide.